About
The people behind Latest Mehndi Designs, how each article about Henna design ideas, application tips and care for every occasion is put together, and what we will not publish.
Latest Mehndi Designs is a blog, and the line under the logo, Henna ideas for every occasion, is the whole editorial brief. New articles go up when they are ready, and everything we have published stays available in the blog archive.
Latest Mehndi Designs started as a private notebook. Somebody kept a record of what was worth the money and what was noise, and after a few years that notebook was more useful than most of what was published online.
Each piece sits under exactly one heading. Readers arriving from search mostly land in bridal mehndi, simple and easy mehndi and festival mehndi, so those sections get looked after first.
There is no house byline here. Each piece is signed, and each signature leads to everything else that person has put their name to.
Zoya Ahmed, Lead mehndi artist and editor. Zoya has done bridal mehndi for years and now spends more time writing than holding a cone.
Reema Chaudhry, Simple and festival mehndi writer. Reema believes a quick design does not have to look rushed or cheap.
Faizan Qureshi, Arabic mehndi and technique writer. Faizan focuses on line flow and spacing between motifs, not just the motifs themselves.
We write from notes taken while doing the thing, not from a summary of other summaries. Where we are unsure, the page says so in plain words.
We are independent. Nobody pays for a favourable mention, and the wording of an assessment does not change because a partner asked.
How claims get checked and how money is disclosed is written down separately, on the editorial policy page.
We are not the right place for advice tailored to your exact situation. Latest Mehndi Designs publishes general guidance, and the difference matters more than it sounds.
Point at the sentence. Write to [email protected] or use the contact page. Factual errors are fixed quickly, and when a correction changes the conclusion of a piece we say so at the foot of the page rather than editing quietly.
